Where can we find the Golden Ratio?
The golden ratio is
present in nature, for example there are various types of shells (for ex. the Nautilus)
that have a spyral form that reminds of the the sectio aurea.
http://www.sectioaurea.com/sectioaurea/sectio_aurea2.htm
Meaning and use of the Golden Ratio
The golden
section is a line segment divided according to the
golden ratio:
the total length a
+ b is to the longer segment a as a is to the shorter segment b.
The golden
section comes from the Latin: sectio aurea. The meanings are many: divine proportion, divine section, golden
proportion, golden cut, golden number, the golden ratio is often denoted by the Greek
letter phi. (Phidias (500 BC - 432 BC), a Greek
sculptor and mathematician, studied phi and applied it to the design
of
sculptures for the Parthenon)
In the Renaissance, many artists and architects have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio.
In the Renaissance, many artists and architects have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio.
Architecture and
Golden Ratio
Studies of the Acropolis (Greece – Athens) ,
including the Parthenon, conclude that many of its proportions approximate the golden
ratio.
For example the Parthenon's facade as well as elements of its facade can
be circumscribed in the golden rectangle.
Considering that
some of the classical buildings and their elements are proportioned according
to the golden ratio, this might indicate that their
architects were aware of the golden ratio and consciously employed it in their
designs.
For example though,
a geometrical analysis of the Great Mosque of Kairouan (Tunisia - Kairouan Governorate) by Boussora and Mazouz, reveals a
consistent application of the golden ratio throughout the design. It is found
in the overall proportion of the plan and in the dimensioning of the prayer
space, the court, and the minaret. They also examined earlier archaeological
theories about the mosque, and demonstrate the geometric constructions based on
the golden ratio by applying these constructions to the plan of the mosque to
test their hypothesis.
On the other hand,
Swiss architect Le Corbusier, famous for his
contributions to the modern international architecture, centered his design
philosophy on systems of harmony and proportion. Le Corbusier explicitly used
the golden ratio in his Modulor system for the
scale of architectural proportion. He saw this system as a continuation of the
long tradition of Vitruvius, Leonardo da Vinci's "Vitruvian Man", the
work of Leon Battista Alberti, and others who used the proportions of the human
body to improve the appearance and function of architecture.
Another Swiss architect, Mario Botta, bases many of his designs on geometric figures. Several private
houses he designed in Switzerland are composed of squares and circles, cubes
and cylinders. In a house he designed in Origlio, the golden ratio is the proportion between the central section and the side sections of
the house.
In a recent book,
author Jason Elliot speculated that the golden ratio was used by the designers of the Naqsh-e Jahan Square (Iran- Isfahan) and the adjacent Lotfollah mosque.
It is allthough
possible that the architects in the ancient history used their own sense of
good proportion, and that this has led to the use of proportions that closely
approximate the golden ratio. Retrospective analyses can always be questioned
on the ground that the if one chooses the points
from which measurements are made or where to superimpose golden rectangles,
these choices affect the proportions observed.
(abstracts taken
from Wikipedia)
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